Saturday, April 14, 2007

Top Ten Rarely-Heard Sounds Of High Technology

Number Ten: The Eight-Track Clack



The much-maligned eight-track cartridge was the bane of every mobile music lover's existence in the oh-so-funky 1970s. Most albums were released on this format almost as an afterthought; track orders were commonly re-arranged, and some songs were repeated, split in two, or deleted entirely to accommodate the four equal-length programs.

At the end of each program, or "track," a thin metal strip at the splice point of the tape would signal the playback head to move to the next position. For those of you too young to know, this page has a sample of the sound it made:

The Eight-Track Clack

Number Nine: The Ringer Finger



Wayyyy back in the day, you couldn't just walk into any old store and buy a phone. You rented your phones from the phone company, and you owned them for freaking' ever until they broke or something new came along. For most of us growing up in the '70s, that meant we had rotary dial phones.

Most of us got rid of these antiques as soon as tone dialing hit the market. However, my 94-year-old grandmother held on to hers until a few years ago, when the phone company said they were removing the equipment that could translate the pulses into numbers at the Central Office. My grandmother actually had no issue with getting a touch-tone phone, she just didn't see the need to switch because they charged five dollars extra per month for the service!

The Ringer Finger

Number Eight: The Little Drummer Boy



I know, retro beats are all the rage these days. But few musicians are willing go back to the days of the earliest drum machines, which sounded more like kitchen appliances than actual drums.

The Little Drummer Boy

Number Seven: Duck & Cover



Where I grew up in Michigan, they used to test the air raid sirens once a month on Sunday. I haven't heard one in years, but maybe some places still provide their citizens with this eerie reminder of lingering cold war tensions.

Duck & Cover

Number Six: Tones On Tail



On some higher-end prerecorded cassette tapes, there was a series of tones that played at the beginning of the program before the music on each side. Not sure what their purpose was, but they kind of sounded like this:

Tones On Tail

Number Five: Rainy Day People



In Detroit, you used to be able to dial WEA-1212 from any area code to get an up-to-the-minute weather report. There was also another number to call "The Time Lady," as my mom used to say. I don't think these services are generally available any more, but here is a service that will call you with weather reports from outer space:

Rainy Day People

Number Four: The Dangerous Type



Ahh, the pleasing sounds of the manual typerwriter. The click-clacking of keys. The zip-zippering of the paper. The cute little bell that rings at the end of the line.

How quaint. How utterly useless today:

The Dangerous Type

Number Three: Robby The Robot



On a recent trip to Chicago, I got to drive my dad's new Dodge Charger. The voice of the built-in navigation system sounds like the hottest babe you never saw. However, back in the day, any kind of synthesized voice that came out of your car, computer or telephone sounded more like this:

Robby The Robot

Number Two: Lights Out!



Remember those great hygiene and car crash films in Jr. high school? The projector was usually louder than the film's soundtrack, but at least you got to make out with your girlfriend in the back of the class.

Lights Out!

Number One: The Modem Song



Around 1995 or so, I finally gave in and bought a 14.4 modem for my roommate's PowerPC 6100 since he was too cheap get one himself. At first, all we had was eWorld, which even then I knew was not going to last. Eventually, we signed up with AOL, which at the time did not even let you connect to the internet! So for $21.95 a month, you either got to chat with the other 12 people on AOL at the time, or you got to check out their various "channels," which if I recall correctly, had about enough information on them to keep you occupied for at least the better part of a single afternoon.

In any case, the ten-minute process for logging on would go something like this:

Step One: Dial the first number.
Step Two: Get a busy signal.
Step Three: Dial the second number.
Step Four: Get a busy signal
Step Five: Dial the first number again.
Step Six: Get knocked off half-way thru the logon process when your roommate's girlfriend calls him for the 37th time that day on the same line...

Eventually, you would get to hear the modem's glorious symphony of beeps, bings and whirs that meant you were finally connected to the Internet. Since most of us have broadband today, or internal modems at the very least, this is a rarely heard sound today indeed, and I for one couldn't be happier about that.

The Modem Song

Tuesday, March 20, 2007

Seven Significant Strats

A well-researched article on seven celeb-owned Strats and their whereabouts today.

Link

Sunday, February 04, 2007

Prince Rocks A (Purple) Rain-Soaked Halftime Crowd

Now that James Brown has passed into the great beyond, Prince really should petition to take over the title of "the hardest working man in show business." Hip-replacement surgery be damned, the 48-year-old diminutive singer delievered an explosive, high-energy set this Sunday featuring fireworks, a symbol-shaped stage, and even a nod to supergroup Queen.

Donning a tailored powder-blue suit, peach shirt, and a snazzy black "doo rag" (no doubt a result of the torrential rain shower he was performing under), Prince and his trusty Hohner Telecaster guitar ripped into Let's Go Crazy, asking for some help from the audience on the choruses. Prince is playing a lot of guitar these days, and never fails to impress with his lightning-fast runs and impassioned string bending.

After a short nod to 1999, Prince segued into "Baby I'm A Star," another uptempo rocker from the "Purple Rain" soundtrack. Even though Prince claimed he was retiring all the old songs on his last tour, I guess he decided to air a few of them out once again for the appreciative Super Bowl XLI crowd.

With marching band in tow, Prince then headed off into the land of unexpected cover songs, running through a verse and chorus of Proud Mary, before switching to a matching powder-blue Strat and the Dylan/Hendrix classic All Along The Watchtower, which morphed into a similarly-structured Foo Fighters song that I have heard a million times but have no idea what it is called. After seeing him work out a funky solo over the riff to Rock Lobster during last week's press conference, I guess nothing should faze me by this point.

Finally, the rocking ten minute set concluded with the obligatory version of Purple Rain, played on the "symbol" shaped purple guitar that must give his chiropractor fits.

All in all, an energetic if unsurprising set (excluding the covers, of course). The problem with seeing Prince is that he has so many great songs in his repertoire, he always leaves you wanting more. But after ten minutes of standing in the pouring rain jumping around like a man half his age, I'm sure even Prince was pleased to bring this eclectic set to a well-deserved close.